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Brocade fabrics are now largely woven on a Jacquard loom that is able to create many complex tapestry-like designs using the Jacquard technique. Although many brocade fabrics look like tapestries and are advertised in some fashion promotions as such, they are not to be confused with true tapestries. Patterns such as brocade, brocatelle, damask ...
Look 4 is a belted gold brocade minidress with an asymmetrically pleated hem, worn with a statement choker and matching oversized bracelets in what appeared to be stained glass. [47] Look 5 is a gold-toned minidress with matching glove, both printed with details from Adoration of the Magi Altarpiece ( c. 1440–1442 ) by Stefan Lochner .
Sichuan embroidery (traditional Chinese: 川繡; simplified Chinese: 川绣; pinyin: Chuān Xiù; Wade–Giles: Chʻuan-Hsiu) or Shu embroidery (蜀繡; 蜀绣; Shǔ Xiù; Shu-Hsiu), is a style of embroidery folk art native to Sichuan and Chongqing, particularly renowned for its brocade fabrics known as Shu brocade (蜀錦; 蜀锦; Shǔ Jǐn; Shu-Chin).
Nishiki-e (錦絵, "brocade picture") is a type of Japanese multi-coloured woodblock printing; the technique is used primarily in ukiyo-e. It was invented in the 1760s, and perfected and popularized by the printmaker Suzuki Harunobu , who produced many nishiki-e prints between 1765 and his death five years later.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration .
Yunjin (Chinese: 雲錦), Nanjing brocade or cloud brocade, [1] is a traditional Chinese luxury silk brocade made in Nanjing since the end of the Song dynasty, [2] and based on weft-weaving techniques from both the Song and Tang dynasties. [1] It is shuttle-woven, and often incorporates gold and silver threads with the coloured silks. [3]
Corsets in brocade or leather, with steel-boning are a form of steampunk clothing inspired by the Victorian era. [9] Brass goggles have become a trademark for steampunk fashion. [8] Brass items are also a kind of official, standard steampunk accessory. [3] Goggles with intricate patterns on large, round frames are the most commonly used ones.
Traditionally, figured designs were made on a drawloom. The heddles with warp ends to be pulled up were manually selected by a second operator, the draw boy, not the weaver. The work was slow and labour-intensive, and the complexity of the pattern was limited by practical factors.
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