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Modern Love by George Meredith is a sequence of fifty 16-line sonnets about the failure of a marriage, an episodic verse narrative that has been described as "a novella in verse". [1] Earlier working titles for the sequence were "The Love-Match" and then "The Tragedy of Modern Love". [2]
Filmmaker Werner Herzog paraphrased a line from Rozewicz's "Draft of a Modern Love Poem" in his 2007 film Encounters at the End of the World, observing that "For me, the best description of hunger is a description of bread. A poet said that once, I think."
Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyrical poet and playwright. Millay was a renowned social figure and noted feminist in New York City during the Roaring Twenties and beyond.
After browsing these quotes, read these wonderful love poems for more romantic words. “I love you” quotes. 1. “I love you because the entire universe conspired to help me find you.”
Many modern scholars argue the effectiveness of Spenser's work. James Lambert [6] wrote about how the poem connected to the Protestant Reform of the time "Spenser’s Epithalamion reflects this communal joy as it narrates a public celebration of marriage, and does so in song and psalmic refrains. Spenser’s poetic interest in the earthly ...
Roy Croft (sometimes, Ray Croft) is a pseudonym frequently given credit for writing a poem titled "Love" that begins "I love you not only for what you are, but for what I am when I am with you." [1] The poem, which is commonly used in Christian wedding speeches and readings, is quoted frequently. The poem is actually by Mary Carolyn Davies. [2]
Amoretti breaks with conventional love poetry in a number of ways. In most sonnet sequences in the Petrarchan tradition, the speaker yearns for a lover who is sexually unavailable. Not only is there a conflict between spiritual and physical love, but the love object is often already married; it is an adulterous love.
The Whitsun Weddings is a collection of 32 poems by Philip Larkin. It was first published by Faber in the United Kingdom on 28 February 1964. It was a commercial success, by the standards of poetry publication, with the first 4,000 copies being sold within two months. A United States edition appeared some seven months later.
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