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It was first recorded in December 1970 by the influential Hungarian jazz guitarist Gábor Szabó, in partnership with Womack himself. This version, produced by Tommy LiPuma , was included on Szabó's album High Contrast (1971) and was released as a single in April 1971 in the United States and in 1972 in the Netherlands, reaching No. 43 on the ...
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.
Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation. There is some debate on what can be considered "new-age music"; for example several musicians in Celtic music or Smooth jazz have expressed annoyance at being labeled "new-age musicians".
From 1959 to 2011, the Award was called Best Instrumental Jazz Album, Individual or Group. In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). [1]
It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form, and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B." [1] [2] During the mid-1970s in the United States, it was known as "smooth radio"; the genre was not termed "smooth jazz" until the 1980s. [3]
WLNR-FM in Chicago also changed in August 1985 to a 24-hour quiet storm program called "The Soft Touch", featuring more instrumental music and even straight-ahead jazz, a mix which sales manager Gregory Brown described as "not so laid-back" as other quiet storm shows. A notable feature of WLNR was that the four regular deejays were women.
Straight-ahead jazz is a genre of jazz that developed in the 1960s, with roots in the prior two decades. It omits the rock music and free jazz influences that began to appear in jazz during this period, instead preferring acoustic instruments, conventional piano comping, walking bass patterns, and swing- and bop-based drum rhythms.
Easy listening (including mood music [5]) is a popular music genre [6] [7] [8] and radio format that was most popular during the 1950s to the 1970s. [9] It is related to middle of the road (MOR) music [1] and encompasses instrumental recordings of standards, hit songs, non-rock vocals and instrumental covers of selected popular rock songs.