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Rose: Saint George Gauche: Martyrdom of Saint George Right: Mass of St Giles: Inhabitants of Nogent: 1205–1215: Base Palissy: PM28000811, Ministère français de la Culture. (in French) Media related to Bay 133 at Wikimedia Commons 135: Rose: Madonna and the Seven Gifts of the Holy Spirit Left: an apostle Right: six apostles: Money-changers ...
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In the 12th century early Gothic, the dominant colors were a deep and rich blue, and a ruby red. The colors were often uneven and streaky, but the intensity of the color, particularly in the small windows, was greater than in later windows. [21] These colors were used for all of the backgrounds of the figures, and were rarely painted upon.
That is why the rose should be white and not red, for white is the color of the spirits and the angels (cf. Matthew 28:3; John 20:12). Such a rose should stand in a sky-blue field, symbolising that such joy in spirit and faith is a beginning of the heavenly future joy, which begins already, but is grasped in hope, not yet revealed.
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Crucifixion by Orcagna, c. 1365, with very elaborate tooling.Fragments from an altarpiece, in a 19th-century rearrangement. Gold ground (both a noun and adjective) or gold-ground (adjective) is a term in art history for a style of images with all or most of the background in a solid gold colour.
Transparent background color; this is a bit field, the lowest bit signifies transparency 311: 00 00: Delay for animation in hundredths of a second; not used: 313: 10: 16: Color number of transparent pixel in GCT 314: 00: End of GCE block Image Descriptor 315: 2C ',' An Image Descriptor (introduced by 0x2C, an ASCII comma ',') 316: 00 00 00 00 ...
His primary objective was to make the wallpaper by hand, with transparent oil colours on zinc plates. However, when he could not make this work to his satisfaction, he gave the task to an established wallpaper firm, Jeffrey and company, which printed it with wood blocks and distemper colours.