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Although mostly active in Italy, particularly in Naples, José de Ribera (1591–1652) considered himself Spanish, and his style is sometimes used as an example of the extremes of Counter-Reformation Spanish art. His work was very influential (largely through the circulation of his drawing and prints throughout Europe) and developed ...
The works he produced in Italy belong to the history of the Italian art, and those he produced in Spain to the history of Spanish art". [ 51 ] The Welsh art historian David Davies seeks the roots of El Greco's style in the intellectual sources of his Greek-Christian education and in the world of his recollections from the liturgical and ...
El Greco has a unique style with influences from Italian artists as well as Spanish and Greek. Throughout his painting career, El Greco changed his style based upon the places he lived. However, he almost always painted with influence from his Cretan or Greek roots. He often wrote in Greek and used the Greek alphabet instead of the Latin alphabet.
The style was later influenced by Flemish Baroque painting, as the Spanish Habsburgs ruled over an area of the Netherlands during this period. The arrival of Flemish painter Peter Paul Rubens in Spain, who visited the country in 1603 and 1628, also had some influence Spanish painting. However, it was the profusion of his works, as well as those ...
Italian art during the 17th century was predominantly Baroque in essence. 17th-century Italian Baroque art was similar in style and subject matter to that during the same period in Spain - characterised by rich, dark colours, and often religious themes relating notably to martyrdom, and also the presence of several still lifes.
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.
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Hispano-Flemish style is a term coined by the Spanish art historian Elías Tormo to designate works of art produced in Spain in a hybrid style that shows elements of Northern Renaissance artistic innovations together with elements of medieval Iberian artistic traditions, predominantly Mudéjar.