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Unlabeled photo from the Cantigas de Santa Maria, Castile/Spain, c. 1300-1340.The left instrument has been called both guitarra latina and citole (left). The other instrument has been called guitarra morisca.
viola, orig. Latin vitulari "be joyful" A medium-sized stringed instrument Viola d'amore: love viola: A tenor viol with no frets Viola da braccio: arm viola: A stringed instrument held in the arm, such as a violin or viola Viola da gamba: leg viola: A stringed instrument held between the legs Violoncello Violoncello was the original name for a ...
Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music. It is also used in classical and other fingerstyle guitar picking techniques.
Rhythm (e.g. ritmo di # battute meaning a rhythm of # measures) ritornello A recurring passage rolled chord See Arpeggio rondo A musical form in which a certain section returns repeatedly, interspersed with other sections: ABACA is a typical structure or ABACABA roulade (Fr.) A rolling (i.e. a florid vocal phrase) rubato
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a ...
The Spanish tinge is an Afro-Latin rhythmic touch that spices up the more conventional 4 4 rhythms commonly used in jazz and pop music. The phrase is a quotation from Jelly Roll Morton. In his Library of Congress recordings, after referencing the influence of his own French Creole culture in his music, he noted the Spanish (read Cuban) presence:
Latin music is vastly large and it is impossible to include every subgenre on any list. [1] Latin music shares a mixture of Indengious and European cultures, and in the 1550s included African influence. [2] In the late 1700s, popular European dances and music, such as contradanzas and danzones, were introduced to Latin music. [2]