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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
Vlisco Group's brand portfolio consists of four brands: Vlisco, Woodin, Uniwax and GTP. The company's head office, as well as the design and production facilities for the Vlisco brand, are located in Helmond. For the other brands these facilities are based in Ghana and Ivory Coast. The Vlisco Group has eight sales offices in numerous African ...
It is stated that, "People of the Zulu culture admire elegant design and fine craftsmanship in everyday object serving dishes, tools and utensils, smoking pipes, and accessory boxes" (Richard B, 50). On the other hand, most traditional African baskets were made of materials like grass and leaves that would be considered textile weaving.
Candle moulding machine in Indonesia circa 1920. Candle making was developed independently in a number of countries around the world. [1]Candles were primarily made from tallow and beeswax in Europe from the Roman period until the modern era, when spermaceti (from sperm whales) was used in the 18th and 19th centuries, [2] and purified animal fats and paraffin wax since the 19th century. [1]
Blackamoor is a type of figure and visual trope in European decorative art, typically found in works from the Early Modern period, depicting a man of sub-Saharan African descent, usually in clothing that suggests high status. Common examples of items and objects decorated in the blackamoor style include sculpture, jewellery, and furniture.
Additional forms of indigo resist-dyeing exist in other parts of West Africa; for example, the Bamana of Mali use mud resist, while Senegalese dyers use rice paste rather than cassava root, and the Ndop of Cameroon use both stitch resist and wax resist.
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