Search results
Results from the WOW.Com Content Network
The soundtrack charted No. 1 on the Billboard Pop Album Chart in 1956 and has been in continual print. On July 8, 1958, it became the first album to be certified "gold" by the RIAA, [2] and was later certified "2x multi-platinum" on April 1, 1992. [3] It was originally released as a 42-minute album on the Capitol Records label, but only in mono ...
Oklahoma! is the first musical written by the duo of Rodgers and Hammerstein.The musical is based on Lynn Riggs's 1931 play, Green Grow the Lilacs.Set in farm country outside the town of Claremore, Indian Territory, in 1906, it tells the story of farm girl Laurey Williams and her courtship by two rival suitors, cowboy Curly McLain and the sinister and frightening farmhand Jud Fry.
Oklahoma! is a 1955 American musical film based on the 1943 musical of the same name by Richard Rodgers and Oscar Hammerstein II, which in turn was based on the 1931 play Green Grow the Lilacs written by Lynn Riggs.
In this song they warn each other not to behave indiscreetly, lest people misinterpret their intentions. Neither wants to admit to the other his or her true feelings. Towards the end of the musical the characters reprise the number after becoming engaged, saying "Let people say we're in love." and also the whole ensemble in the curtain epilogue.
The 1998 film captured Jackman's London performance of 'Oklahoma!' The release celebrates the musical's 80th anniversary of Broadway premiere.
"Oklahoma" is the title song from the 1943 Broadway musical Oklahoma!, named for the setting of the musical play. The music and lyrics were written by Richard Rodgers and Oscar Hammerstein II. The melody is reprised in the main title of the 1955 film version and in the overtures of both film and musical productions.
In the 1955 film, the song is performed by Shirley Jones and appears on the soundtrack album. "Many a New Day" is sung by Laurey [1] immediately after Curly McLain leaves the scene with Gertie Cummings. Laurey ostensibly does not care that Curly is with a new girl, though it is obvious she is hurt, especially as shown by the slow restatement of ...
[1] In the musical, Hakim is the type of character who would flirt with forty women, but would prefer marriage only over being shot. Feeling trapped, he sings with the men of Oklahoma of how tricky and dirty girls are in getting husbands, using their fathers (with their guns) as backups. The song ends with the men declaring a revolution and ...