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Sonata for Alto Saxophone and Piano (1984)—William Albright; Sonata for Alto Saxophone and Piano (1984) David Diamond; Last Night (1985, rev. 1990)—Rodney Waschka II; Poem for Alto Saxophone and Piano(1986)—Anders Eliasson; Whirled Series (1987)—Milton Babbitt [40] [41] Keening for Alto saxophone and Piano (1987)—Michael Berkeley
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Sonorities IV for alto saxophone and piano (publ. Dorn) Two Pieces for Euphonium and piano (publ. Presser) 1977. Quartet for Reeds (Oboe, clarinet alto saxophone and bassoon (publ. Dorn) Quintet No. 2 for brass quintet (publ. Dorn) Sinfonia No 5 for band (publ. Accura) Sonorities V for trumpet and organ (publ. Presser)
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E ♭ , smaller than the B ♭ tenor but larger than the B ♭ soprano .
The Saxophone Concerto, Op. 14, is a three-movement concertante composition for alto saxophone and string orchestra written in 1934 by the Swedish composer Lars-Erik Larsson. The piece premiered on 27 November 1934 in Norrköping , Sweden, with Tord Benner [ sv ] conducting the Norrköping Orchestral Association . [ 1 ]
He helped define the sound of alto saxophone, but he also performed and recorded on soprano saxophone, tenor saxophone, trumpet, trombone, clarinet, and piano. [3] He helped establish a foundation for arranging as far back as 1930 when he arranged "Keep a Song in Your Soul" for Fletcher Henderson's big band.
Other composers with atonal pieces include Harrison Birtwistle & Peter Maxwell Davies, [54] Jacob Druckman, Barbara Kolb, [55] Henry Cowell, Claude Debussy, Brian Ferneyhough, [56] Alexander Goehr, [57] Lou Harrison, Mårten Hagström, Paul Hindemith, Karel Husa, Charles Ives, György Ligeti, Witold Lutosławski, George Perle, [58] Sergei Prokofiev, David Raksin, [59] Nikolai Roslavets, [60 ...
The saxophone then intertwines the melody with lyrical themes of the strings. This interaction results in tonal color. This part features tempo shifts. The saxophone then plays a cadenza that leads to the Fugato part. Syncopated rhythms are introduced in the orchestra. The saxophone soloist plays the melody which are taken up by the strings.
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