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The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes. It then became popular in Europe in the 19th century.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
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Artists use a variety of methods to create gradation, depending upon the art medium, and the precise desired effect. Blending, shading, hatching and crosshatching are common methods. A fading effect can be created with pastels by using a torchon. [2]
Several evidence from historic texts such as Mahabhasya and Mahabharat from 2nd Century suggests that the art of shadow puppetry or similar art forms have existed since first Millennium BC. In Karnataka, the art of shadow puppetry received royal patronage in 2nd Century and further by Rashtrakutas in 10th century followed by Vijayanagara Empire ...
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Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama shadow puppet show.
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