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Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
Fraktur is still used among traditional Anabaptists to print German texts, while Kurrent is used as hand writing for German texts. Groups that use both forms of traditional German script are the Amish, Old Order Mennonites, Hutterites, and traditional Plautdietsch-speaking Mennonites who live mostly in Latin America today. [citation needed]
Alphabet in Kurrent script from about 1865. The next-to-last line shows the umlauts ä, ö, ü, and the corresponding capital letters Ae, Oe, and Ue; and the last line shows the ligatures ch, ck, th, sch, sz (), and st. Danish Kurrent script (»gotisk skrift«) from about 1800 with Æ and Ø at the end of the alphabet Sample font table of German handwriting by Kaushik Carlini, 2021
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Various German language blackletter typefaces English blackletter typefaces highlighting differences between select characters Modern interpretation of blackletter script in the form of the font "Old English" which includes several anachronistic glyphs, such as Arabic numerals, ampersand (instead of Tironian et) and several punctuation marks ...
The German sentence in this sample reads: "Beiſpiel Alte Schwabacher [Example of Old Schwabacher]: Victor jagt zwölf Boxkämpfer quer über den Sylter Deich". This is a nonsense sentence meaning "Victor chases twelve boxers across the dike of Sylt ", but contains all 26 letters of the alphabet plus the German umlauts and is thus an example of ...
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Tannenberg Bold. Tannenberg is a Fraktur-family blackletter typeface, developed between 1933 and 1935 by Erich Meyer at the type foundry D. Stempel AG in Frankfurt am Main.The design followed the "New Typography" principles of Jan Tschichold that promoted "constructed" sans serif typefaces.