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The victory for the Japanese instilled them with great vigour and pride at their defeat of a great Western power. In doing so, the Japanese began to be welcomed into the greater European world society and finally accepted as a proper world power. [8] This new self-image of Japan can be seen within the postcards circulated internally within ...
Front was established in 1942. [1] It was modeled on the Soviet propaganda magazine entitled SSSR na Stroike (Russian: USSR in Construction). [1] The publisher of Front was Tōhōsha (Japanese: Far East Company) which was founded by Okada Sozo in 1941 to launch the magazine. [1]
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Propaganda for Japanese-American internment is a form of propaganda created between 1941 and 1944 within the United States that focused on the relocation of Japanese Americans from the West Coast to internment camps during World War II. Several types of media were used to reach the American people such as motion pictures and newspaper articles ...
The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
Shashin Shūhō (Japanese: 写真週報; Weekly Photographical Journal) was an illustrated propaganda magazine of the Cabinet Intelligence Department which was published in Japan between 1938 and 1945. It was one of the most successful propaganda publications of Japan.
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Military power, the will to use it, and the ability to manufacture its hardware became central to Japan's self-image. As a result, the propaganda kimono designs took on an increasing militaristic air. [7] Wartime animated characters, such as Norakuro, were also frequently appeared in war propaganda kimono textiles. [13] Only since the late 20th ...