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The victory for the Japanese instilled them with great vigour and pride at their defeat of a great Western power. In doing so, the Japanese began to be welcomed into the greater European world society and finally accepted as a proper world power. [8] This new self-image of Japan can be seen within the postcards circulated internally within ...
Japanese propaganda poster featuring Japanese agrarian immigrants in Manchukuo, designed for English speakers. The Allies were also attacked as weak and effete, unable to sustain a long war, a view at first supported by a string of victories. [176] The lack of a warrior tradition such as bushido reinforced this belief. [177]
Front was established in 1942. [1] It was modeled on the Soviet propaganda magazine entitled SSSR na Stroike (Russian: USSR in Construction). [1] The publisher of Front was Tōhōsha (Japanese: Far East Company) which was founded by Okada Sozo in 1941 to launch the magazine. [1]
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The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]
Shashin Shūhō (Japanese: 写真週報; Weekly Photographical Journal) was an illustrated propaganda magazine of the Cabinet Intelligence Department which was published in Japan between 1938 and 1945. It was one of the most successful propaganda publications of Japan.
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.