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The poem begins with three sections describing the wind's effects upon earth, air, and ocean. In the last two sections, the poet speaks directly to the wind, asking for its power, to lift him up and make him its companion in its wanderings. The poem ends with an optimistic note which is that if winter days are here then spring is not very far.
Older readers may understand the desire to look for arrowheads while out walking: to "hold one in my hand / I want to touch the tip of history."" [2] Rachel E. Schwedt and Janice DeLong in their book Young Adult Poetry said that "the simple language makes the poems accessible, while the astute reflections encourage an awareness of the ...
The poem is based upon an actual experience of Brontë's. [7] A note stating "Composed in the Long-Plantation on a wild bright windy day", was written in Anne Brontë's hand at the bottom of the manuscript and the "Long-Plantation" was identified by Edward Chitham as a wood to the East of Kirby Hall toward the River Ouse, though there is no ...
The Wild Iris is a 1992 poetry book by Louise Glück for which she received the Pulitzer Prize for Poetry in 1993. [1] The book also received the Poetry Society of America's William Carlos Williams Award. [2]
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Spring and All is a hybrid work consisting of alternating sections of prose and free verse.It might best be understood as a manifesto of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it.
Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Mary Queen of Scots. (Landing at the Mouth of the Derwent, Workington) 1833 "Dear to the Loves, and to the Graces vowed," Poems Composed or Suggested during a Tour in the Summer of 1833 1835 Stanzas suggested in a Steamboat off St. Bees' Head, on the coast of Cumberland 1833
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