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Willemina Ogterop (1881–1974) was a Dutch-American artist and stained glass window designer of almost 500 windows in 80 locations. [1] She was the first woman west of the Mississippi to be inducted into the stained-glass artists’ union.
Ballantine and Gardiner was a Scottish manufacturer of stained-glass windows, one of several names the company worked under. [1] The business was founded in Edinburgh by James Ballantine (1806–1877) and George Allan as Ballantine and Allan. They began making stained glass in the 1830s.
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
He quickly achieved high eminence in his field with his business Ballantine and Allan, and got the contract for painting the windows of the House of Lords through a public competition. His 1845 book A treatise of Stained Glass became a standard work. His son, Alexander (1841–1906), later joined his stained-glass window business. [1]
Also the stained glass in the east window of the Parish Church of St Mary Magdalene, Gillingham. [4] Other windows by this firm are in Wimborne Minster 1857, Peterborough Cathedral 1864 and St Mary's Parish Church, Hampton c1888. A documentary film, Stained Glass Masters: Heaton, Butler and Bayne, was produced in 2000 by the film maker Karl ...
Guler's rich colors were achieved by hand-painting sections of glass (from France, Germany and the US) with glass paints: ground glass mixed with iron oxide, yellow stain and other colorants; then firing the painted glass in a kiln. Windows made with this detailed painting are known as Munich-style stained-glass, or Munich windows. [3]
Henry E. Sharp was a nineteenth-century American stained glass maker active with William Steele from c.1850 to c.1897. [1]Sharp established himself with Steele as a glass stainer at offices at 216 Sixth Avenue.
The Saint John stained glass window in the Honan Chapel, Cork was designed in 1916 by the Irish artist Catherine O'Brien. O'Brien was then part of Sarah Purser's workshop An Túr Gloine, which was commissioned to produce eight windows for the chapel. Of these, O'Brien's "Saint John window" is considered the most successful.
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