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The Amon Carter Museum of American Art (the Carter) is located in Fort Worth, Texas, in the city's cultural district.The museum's permanent collection features paintings, photography, sculpture, and works on paper by leading artists working in the United States and its North American territories in the nineteenth and twentieth centuries.
In 1927, O'Keeffe made a painting of a close-up of the wide red petals of the canna lily. Painted in oil, it is 36 + 1 ⁄ 8 by 30 + 1 ⁄ 8 inches (91.8 cm × 76.5 cm). Once among private collections, it is now owned by Amon Carter Museum of American Art in Fort Worth, Texas. [21]
Sandy Rodriguez - In Isolation [solo exhibition], Amon Carter Museum of American Art, Fort Worth, TX Mixpantli: Contemporary Echoes, Los Angeles County Museum of Art, Los Angeles, CA Borderlands, The Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA Estamos Bien - La Trienal 20/21, El Museo, New York, NY
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Idle Hours is an oil-on-canvas landscape painting by the American Impressionist painter William Merritt Chase. Completed in 1894, it measures 90.2 by 64.8 centimeters, and is now housed at the Amon Carter Museum of American Art, Fort Worth. [1] It is one of many paintings by Chase that depicted his wife and children at ease. [2]
The main auditorium at Texas A&M School of Law is named after Amon Carter. It was a gift of the Amon G. Carter Foundation. The Southern Air Transport terminal at Fort Worth Meacham International Airport, now Atlantic Aviation, was dedicated to Amon Carter in 1933. The Fort Worth ISD's Amon Carter Riverside High School honors Carter.
The Swimming Hole (also known as Swimming and The Old Swimming Hole) is an 1884–85 painting by the American artist Thomas Eakins (1844–1916), Goodrich catalog #190, in the collection of the Amon Carter Museum of American Art in Fort Worth, Texas.
The Amon G. Carter Foundation donated the casting of Riding into the Sunset to Texas Tech University in 1950. Carter was the first chairman of the university's board of regents when it was founded in 1923. The sculpture is located in what is now called Amon G. Carter Plaza at the university's main entrance. [5]
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