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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes.
Machiavelli dedicates the Discourses to two friends, Zanobi Buondelmonti and Cosimo Rucellai, both of whom appear in Machiavelli's Art of War. Rucellai had died in 1519, but this did not lead Machiavelli to find a new dedicatee, as he had with The Prince .
Najemy shows how Machiavelli's friend Vettori argued against Machiavelli and cited a more traditional understanding of fortune. [86] On the other hand, humanism in Machiavelli's time meant that classical pre-Christian ideas about virtue and prudence, including the possibility of trying to control one's future, were not unique to him. But ...
After his exile from political life in 1512, Machiavelli took to a life of writing, which led to the publishing of his most famous work, The Prince.The book would become infamous for its recommendations for absolute rulers to be ready to act in unscrupulous ways, such as resorting to fraud and treachery, elimination of political opponents, and the usage of fear as a means of controlling ...
An extremely rare first edition of Niccolò Machiavelli’s famous political manual “The Prince” is going up for auction, with an expected sale price of up to $375,000.
Machiavelli, after all, lived at a similar inflection point in history. Florence, one of the great Renaissance republics, was being transformed into a monarchy even at the moment he was writing.
Anti-Machiavel is an 18th-century essay by Frederick the Great, King of Prussia and patron of Voltaire, consisting of a chapter-by-chapter rebuttal of The Prince, the 16th-century book by Niccolò Machiavelli. It was first published in September 1740, a few months after Frederick became king. [1]
Thoughts on Machiavelli is a book by Leo Strauss first published in 1958. The book is a collection of lectures he gave at the University of Chicago in which he dissects the work of Niccolò Machiavelli. The book contains commentary on Machiavelli's The Prince and the Discourses on Livy. [1]