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Song of Songs 4 (abbreviated [where?] as Song 4) is the fourth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
Song of Songs (Cantique des Cantiques) by Gustave Moreau, 1893. The Song of Songs (Biblical Hebrew: שִׁיר הַשִּׁירִים , romanized: Šīr hašŠīrīm), also called the Canticle of Canticles or the Song of Solomon, is a biblical poem, one of the five megillot ("scrolls") in the Ketuvim ('writings'), the last section of the Tanakh.
It is referred to in the various Yalkutim and by the ancient Biblical commentators as "Midrash Shir haShirim," or "Aggadat Shir haShirim.". The De Rossi Manuscript No. 541, at Parma, was discovered by S. Buber to contain (among other things) midrashim on four of the five "megillot": Song of Songs, Ruth, Lamentations, and Ecclesiastes.
The date of composition of this midrash cannot be exactly determined. Song of Songs was interpreted aggadically at a very early time, and certain rules for this aggadic interpretation were formulated: for example, the rule adopted by Judah ben Ilai, [6] and the rule (in Shevuot 35b) for the interpretation of the name for Solomon used in Song of Songs.
Solomon uses passionate language to describe his bride and their love (Song 4:1–15). Solomon clearly loved the Shulammite—and he admired her character as well as her beauty (Song 6:9). Everything about the Song of Solomon portrays the fact that this bride and groom were passionately in love and that there was mutual respect and friendship ...
The eminent Armenian composer Komitas, born Soghomon (Westernized as Solomon), clumsily flits in and out of Arman Nshanian’s “Songs of Solomon,” his figure used as a historical marker in a ...
Song of Songs 5 (abbreviated [where?] as Song 5) is the fifth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3]
The celebrated Armenian composer Komitas is inelegantly woven into this fictionalized story produced by Nick Vallelonga climaxing in the Hamidian massacres of the 1890s.
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