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Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware for local markets, but the post-war period saw a change with the influence of potter Shoji Hamada.
The slipped pattern is then carved back to the clay, highlighting it and leaving patterns exposed. [1] Hamada Shoji is reputed to have brought the technique for salt glazing to Japan after a visit to Europe in the early 1950s, and Shimaoka was also widely known for his salt glaze work. He designed one of the first noborigama kilns in Mashiko ...
The Leach Pottery was founded in 1920 by Bernard Leach and Shoji Hamada in St Ives, Cornwall, in the United Kingdom. [ 1 ] The buildings grew from an old cow / tin-ore shed in the 19th century to a pottery in the 1920s with the addition of a two-storey cottage added on to the lower end of the pottery, followed by a completely separate cottage ...
Following Shoji Hamada, people looking to return to a more traditional Japanese lifestyle settled in the area. [ 1 ] Twice a year, coinciding with the Golden Week Holidays in the first week of May, and again for the first week of November, there is a pottery and crafts festival where potters and craftsmen from Mashiko and surrounding areas come ...
It included exhibitions of British pottery and textiles since 1920, Mexican folk art, and works by conference participants, among them Shoji Hamada and US-based Bauhaus potter Marguerite Wildenhain. Another important contributor was Japanese aesthetician Soetsu Yanagi, author of The Unknown Craftsman. According to Brent Johnson, "The most ...
Thrown, combed tea bowl by Shōji Hamada. The concept of mingei (民芸), variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966).
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