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By 1820, stoneware was being produced in virtually every American urban center, with potters from Baltimore, Maryland, in particular raising the craft to its pinnacle. [citation needed] While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed.
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American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, and experimental glazes and painting techniques.
Medieval stoneware remained a much-exported speciality of Germany, especially along the Rhine, until the Renaissance or later, typically used for large jugs, jars and beer-mugs. "Proto-stoneware", such as Pingsdorf ware, and then "near-stoneware" was developed there by 1250, and fully vitrified wares were being produced on a large scale by 1325 ...
An exhibition of early American pottery in 1931 presented a “Commeraw Stoneware Jug.” [2] Although the catalogue did not yet reflect the erroneous spelling of “Commereau” that would become popular with later pottery catalogues, such as Ketchum's important record of New York potters, it also did not mention the ethnicity of Commeraw, leaving the reader to assume that he was an American ...
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Edwin Bennett (March 6, 1818 – June 13, 1908), born in Newhall, Derbyshire, was an English American pioneer of the pottery industry and art in the United States, [1] and founder of the Edwin Bennett Pottery Company of Baltimore, Maryland.
He developed an interest in art collecting early in life after his father and grandfather discovered two early American stoneware bottles during an excavation project in their scrap yard in 1980. [3] Weitsman began collecting the 19th-century stoneware and owned 60 pieces by 1982. [2] In 1986, Weitsman graduated from Owego Free Academy.