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"Middle of the Road" is a song by the Pretenders, released as the third single from the album Learning to Crawl. The single was released in the US in November 1983, then in the UK in February 1984. The song peaked at number 19 on the US pop singles chart [2] and number 2 on the US mainstream rock chart in January 1984, where it stayed for four ...
In 1974, early Bay City Rollers member Neil Henderson joined the band on guitar. He wrote and co-wrote songs for Middle of the Road, including the singles "Rockin' Soul" and "Everybody Loves a Winner" and 1974 albums, You Pays Yer Money and You Takes Yer Chance and Postcard, all released in Germany via Ariola like their first German LP, Music ...
The song is a mid-tempo backed primarily by acoustic guitar.Its lyrics tell the story of decisions a boy must make in his life and whether he should follow his whims ("spirit of a boy") or act with integrity and good faith ("wisdom of a man") when his high school sweetheart tells him that she is pregnant, and when he is faced with the temptations of life on the road after being married with a ...
According to Bark.us, a company that decodes teen slang, "mid" is "a term used to describe something that is average, not particularly special, 'middle of the road.'"
In most countries, it was released with the B-side "Love Sweet Love", which was written by Italian brothers Giosy and Mario Capuano, as well as Middle of the Road guitarist Ian McCredie. [3] However, in a few countries, Spain, Peru and New Zealand, "Sacramento" was released with the B-side " Samson and Delilah ", which was later released as the ...
This article is a weaving together of original writing by Eric Avery with some personal history he told Matt Thompson on a rooftop one sunny day. We left Los Angeles as a band in the mid-’80s in ...
Otis Williams’ nickname is “Oak,.” Given that the 83-year-old singer is still a member of the Temptations, 64 years after the group’s founding, it’s not to figure where that came from.
Middle of the road was famously associated with MetroMedia Radio stations; their flagship station was WNEW 1130 AM in New York. The MOR genre creation was an evolutionary outcome of WNEW's reluctance to follow the Top 40 domination and adhere to traditional male and female vocals such as Frank Sinatra, Tony Bennett, Ella Fitzgerald and Peggy ...
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