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The True Vine (Greek: ἡ ἄμπελος ἡ ἀληθινή hē ampelos hē alēthinē) is an allegory or parable given by Jesus in the New Testament. Found in John 15:1–17 , it describes Jesus' disciples as branches of himself, who is described as the "true vine", and God the Father the "husbandman".
The wild branches, over time, take over and the tree begins to grow bad fruit. The master is "grieved" and wonders what more he could have done. Next, the master has the natural branches and the wild branches grafted back into the original tree to save its roots, and the tree begins to grow good fruit again.
Christ the Vine is associated with the parable or allegory of the True Vine. It is referenced heavily in John 15:1–17. Jesus refers to his followers as branches of himself. The work is a pictorial representation of the parable of the True Vine. The theme was copied by countless painters. Angelo’s paintings were the earliest versions.
Pictorial representations of the Jesse Tree show a symbolic tree or vine with spreading branches to represent the genealogy in accordance with Isaiah's prophecy. The 12th-century monk Hervaeus expressed the medieval understanding of the image, based on the Vulgate text: "The patriarch Jesse belonged to the royal family, that is why the root of Jesse signifies the lineage of kings.
In the beginning Jesus states: "I am the true vine", leading to the use of the term The Vine to refer to this teaching. [4] The disciples are then referred to as the branches that depend on the vine: "I am the vine, ye are the branches: He that abideth in me, and I in him, the same beareth much fruit: for apart from me ye can do nothing ...
The image of Ampelos appears in the works of Martin Opitz (1622), Heinrich Heine ("The Gods in Exile" (1853)) and Matthew Arnold ("The Lost Wanderer" (1898)), Roberto Calasso (1988). Some researchers also point out that the myth of Dionysus and Ampelos was one of the sources of inspiration for the French homosexual writer André Gide .
Dr. Kenneth Boa states that "Parables are extended figures of comparison that often use short stories to teach a truth or answer a question. While the story in a parable is not historical, it is true to life, not a fairy tale. As a form of oral literature, the parable exploits realistic situations but makes effective use of the imagination...
The picture part is the mustard seed that grows into a large plant, the reality part is the kingdom of God, and the point of comparison is the growth of the kingdom from small beginnings. [6] The nesting birds may refer to Old Testament texts which emphasize the universal reach of God's empire, [7] such as Daniel 4:12.
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