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Modern African Stories is an anthology of postcolonial African short stories, edited by Ghanaian writer and poet Ellis Ayitey Komey and South African writer, poet, and critic Es'kia Mphahlele. The anthology was published in London by Faber and Faber, in 1964.
Bhakti Shringarpure notes that "the dynamic digital impulses of African creativity have not only changed African literature but have also fundamentally altered literary culture as we know it." [ 25 ] The increasing use of the internet has also changed the way readers of African literature access content, which has led to the rise of digital ...
Brittle Paper publishes original content submitted by authors, as well as commissioned reviews, interviews, essays, and other literary work. Having grown into "a thriving community of readers and writers interested in everything about African literature", [12] the blog is regarded as a major publicity platform for new books by African writers.
African Literature Today (ALT) is a journal that was first published in 1968 and is now the oldest international journal of African Literature still publishing. [1]The journal was founded by Eldred Durosimi Jones, and annual volumes were edited by Eldred Jones, Marjorie Jones, and Professor Eustace Palmer, until ALT 23. [2]
African Writing Today is an anthology of postcolonial African literature, mostly short stories and a few poems, edited by South African writer, poet, and critic Es'kia Mphahlele. The anthology was published in London by Penguin Books in 1967. [1] Much of the literature in the anthology is from West and Southern Africa.
Bruce King, in a review published in Obsidian: Literature and Arts in the African Diaspora, called it "one of the best books available on African literature". He remarked, "In general the criticism of African literature has been superficial and unanalytical.... Larson's detailed analysis of style, structure and form is an improvement in this ...
One of the most versatile of African critics, he has published on English Elizabethan and Jacobean Drama and on the modern English novel. Echeruo was primarily notable as a critic of western writers on Africa, as he viewed himself and his contemporaries as writers fighting for an African viewpoint instead of a western viewpoint on the continent.
Her plays "range from historical tragedy to domestic comedy and use both traditional and modern African setting". [7] She uses "elements of magic, myth and ritual to examine conflicts between traditionalism and modernism in which male supremacy persists." [8] She was considered one of the most distinguished women in Nigerian literature. [9]
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