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Extreme Close Up ("ECU" or "XCU"): The shot is so tight that only a detail of the subject, such as someone's eyes, can be seen. [ 3 ] Lean-In: when the juxtaposition of shots in a sequence, usually in a scene of dialogue, starts with medium or long shots, for example, and ends with close-ups.
Then the medium close up is a shot that has the waist to the chest and up. The next closest shot is the close up which has the shoulders and up or maybe a little tighter on the head. Finally, there is the extreme close up shot which has one body part usually. This can be an eye, a hand or anything else.
Some cameras can focus on subjects so close that they touch the front of the lens. It is difficult to place a light between the camera and a subject that close, making extreme close-up photography impractical. A normal-focal-length macro lens (50 mm on a 35 mm camera) can focus so close that lighting remains difficult.
Demi Moore has spoken at length about the vulnerability it took to film full-frontal nudity in her body horror film "The Substance," but the actress, 62, is now opening up about seeing her ...
the medium close-up, where more of the shoulder is visible than in the close-up, the close-up, where the shoulder line is visible, the extreme close-up, where the frame stops at the subject's chin and forehead. Three less often used field sizes are: the extreme long shot (used for epic views and panoramas),
The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 4] Sleeping Woman: 1930 Man Ray Paris, France [s 2] See article Behind the Gare Saint-Lazare: 1932 Henri Cartier-Bresson: Paris, France [s 1] [s 2] [s 3]
A type of cut from one shot to another where the composition of each shot is matched to the other by the action or subject matter depicted; e.g. in a scene depicting a duel, a long shot showing both of the duellists might cut to a close-up shot of one of the duellists in the midst of the action. Match cuts are precisely timed and coordinated so ...
That distance is sometimes given on the filter in millimeters. A +3 close-up lens has a maximal working distance of 0.333 m or 333 mm. The magnification is the focal distance of the objective lens (f) divided by the focal distance of the close-up lens; i.e., the focal distance of the objective lens (in meters) multiplied by the diopter value (D) of the close-up lens: