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Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. [ 1 ]
The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.
She was an early proponent of sculptural editions, first in small scale, her Sculpture-to-wear, art conceived as jewelry, later in her larger kinetic works. Throughout her career, Mark explored concepts in her art alongside pure abstraction. An important example in two dimensions is a form of picture writing that she termed Color Alphabet. In ...
Kinetic sculptures in the Czech Republic (3 P) U. Kinetic sculptures in the United States (26 P) Pages in category "Kinetic sculptures" The following 14 pages are in ...
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
Located on a grassy plot between adjacent lanes of the Harrison Street Bridge and lying just east of the Wabash River, [1] the sculpture is kinetic and will move by being pushed by the wind. [2] The sculpture is the largest work of public art in Lafayette and is described as "an early example of the modern era" of art. [3]
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