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Kinetic art is art from any medium that contains movement perceivable by the viewer or that depends on motion for its effects. Canvas paintings that extend the viewer's perspective of the artwork and incorporate multidimensional movement are the earliest examples of kinetic art. [ 1 ]
The meaning of the term "mobile" as applied to sculpture has evolved since it was first suggested by Marcel Duchamp in 1931 to describe the early, mechanized creations of Alexander Calder. [5] At this point, "mobile" was synonymous with the term "kinetic art", describing sculptural works in which motion is a defining property.
The goal of a kinetic sculpture is to create a machine in which motion is a critical component of the piece, resulting the audience's failure to associate the sculpture with a mere object. [11] The automated nature of Can't Help Myself categorizes the sculpture as a work of kinetic art, which, in turn, generates an anthropomorphic quality to ...
The motion of flight has been a recurring theme in his work first appearing in 1988 in a sculpture called Flight. Variation II Sun is a spring-driven kinetic sculpture designed in 2014. Roy has been inspired by kaleidoscopic patterning throughout his career.
Theo Jansen's kinetic sculpture Strandbeest. A wind-driven walking machine. A Strandbeest in action. Jansen's linkage is a planar leg mechanism designed by the kinetic sculptor Theo Jansen to generate a smooth walking motion. [1] Jansen has used his mechanism in a variety of kinetic sculptures which are known as Strandbeesten (Dutch for
Alexander "Sandy" Calder (/ ˈ k ɔː l d ər /; July 22, 1898 – November 11, 1976) was an American sculptor known both for his innovative mobiles (kinetic sculptures powered by motors or air currents) that embrace chance in their aesthetic, his static "stabiles", and his monumental public sculptures. [1]
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