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Ampyx (ἄμπυχ) was a headband worn by Greek women to confine the hair, passing round the front of the head and fastening behind. It appears generally to have consisted of a plate of gold or silver, often richly worked and adorned with precious stones. [86] Sphendone (σφενδόνη) was a fastening for the hair used by the Greek women. [87]
A peplos (Greek: ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by c. 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom ...
Ancient Greek clothing consisted of lengths of linen or wool fabric, which generally was rectangular. Clothes were secured with ornamental clasps or pins (περόνη, perónē; cf. fibula), and a belt, sash, or girdle might secure the waist. Men's robes went down to their knees, whereas women's went down to their ankles.
A chiton (/ ˈ k aɪ t ɒ n, ˈ k aɪ t ən /; Ancient Greek: χιτών, romanized: chitṓn, IPA: [kʰitɔ̌ːn]) is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. [1] [2] There are two forms of chiton: the Doric and the later Ionic.
Aristophanes calls her Aphroditus, and Laevius says: Worshiping, then, the nurturing god Venus, whether she is male or female, just as the Moon is a nurturing goddess. In his Atthis Philochorus, too, states that she is the Moon and that men sacrifice to her in women's dress, women in men's, because she is held to be both male and female. [15]
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.
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