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The Koussevitzky Music Foundation commissioned the Third Symphony and Piston began work on it in 1946, [1] completing the score at Woodstock, Vermont, in the summer of 1947. It was premiered on January 9, 1948, by the Boston Symphony Orchestra conducted by Serge Koussevitzky , and the composer dedicated the score to the memory of the conductor ...
It contains works by three American 20th-century composers: Walter Piston's ballet suite from The Incredible Flutist, George Antheil's "A Jazz Symphony", and Aaron Copland's Symphony No. 3. The recording was the third by the orchestra under Kalmar's leadership, following the highly successful Music for a Time of War (2011) and This England (2012).
Leonard Slatkin and the St. Louis Symphony Orchestra included the suite in a 1991 RCA Victor CD recording that also featured Piston's Three New England Sketches and Symphony No. 6. [ 16 ] Piston studied the twelve-tone technique of Arnold Schoenberg and wrote works using aspects of it as early as the Sonata for Flute and Piano (1930) and the ...
Pages in category "Symphonies by Walter Piston" The following 8 pages are in this category, out of 8 total. ... Symphony No. 3 (Piston) Symphony No. 4 (Piston ...
Variations / Symphony No. 4: CD: from 601 FECD-0008: 2002: George Crumb: Variazioni / Echoes of Time and the River (Echoes II) CD: from 711 FECD-0009: 2002: Karel Husa: Music for Prague 1968 / Apotheosis of this Earth: CD: from 722, 799 FECD-0010: 2002: Walter Piston: Serenata / Symphony No. 5 / Symphony No. 7 / Symphony No. 8: CD: from 58-6 ...
While the composer did not consider it a symphony he stated that each of the three movements did conform to symphonic development and indicated that each movement represented his impressions of that aspect of the New England region. It was first performed on October 23, 1959, by the Detroit Symphony Orchestra under Paul Paray. [3]
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The symphony opens with a smooth sonata-allegro movement in A minor that gives the effect of a single flowing gesture. Both main themes are in 3/4 time, with the first unfolding in the violins and the second passed around the woodwinds. In the recapitulation, the return of the first theme is delayed until the very end of the movement. [2]
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