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SAINT NEKTARIOS: The Saint of Our Century. Translated by Peter and Aliki Los. Publications "Καινούργια Γή", Greece. ISBN 978-960-7374-43-1 (St. Nektarios Monastery, Roscoe, NY.) A Brief Account Of The Life Of St. Nectarios, Metropolitan of Aegina at www.serfes.org; Nectarios at www.st-seraphim.com; Saint Nektarios at www ...
David is a masterpiece of Italian Renaissance sculpture in marble [1] [2] created from 1501 to 1504 by Michelangelo. With a height of 5.17 metres (17 ft 0 in), the David was the first colossal marble statue made in the High Renaissance , and since classical antiquity , a precedent for the 16th century and beyond.
David is a marble statue of the biblical hero by the Italian Renaissance sculptor Donatello. One of his early works (1408–1409), it was originally commissioned by the Operai del Duomo, the Overseers of the Office of Works, for the Florence Cathedral and was his most important commission up to that point.
Image credits: JamesLucasIT Sculpture as an art form dates back to 32,000 years B.C. Back then, of course, small animal and human figures carved in bone, ivory, or stone counted as sculptures.
David is a bronze statue of the biblical hero by the Italian Early Renaissance sculptor Donatello, probably made in the 1440s. Nude except for helmet and boots, it is famous as the first unsupported standing work of bronze cast during the Renaissance , and the first freestanding nude male sculpture made since antiquity.
A very small number of weeping statues have been recognized by the Roman Catholic Church, e.g. in Syracuse the shedding of tears from a Virgin Mary statue in the house of a married couple (29 August 1953) was recognized by the Catholic bishops of Sicily on 13 December 1953. [17]
The timing is interesting as a new statue of the Virgin Mary was recently installed on the spot where the stolen statue formerly stood on the east side of the church at 800 Marquette Ave ...
The bronze cast of David in Piazzale Michelangelo, Florence, is flanked by casts of the reclining figures in the Medici Chapel. [4]A plaster cast copy in the Cast Courts at the Victoria and Albert Museum in London was intended for the education of art students, and had a detachable fig leaf, used for added modesty during visits by Queen Victoria and other important ladies, when it was hung on ...
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