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The art of choreography involves the specification of human movement and form in terms of space, shape, time and energy, typically within an emotional or non-literal context. Movement language is taken from the dance techniques of ballet , contemporary dance , jazz dance , hip hop dance , folk dance , techno , K-pop , religious dance ...
Solo dance – a dance danced by an individual dancing alone. Partner dance – dance with just 2 dancers, dancing together. In most partner dances, one, typically a man, is the leader; the other, typically a woman, is the follower. As a rule, they maintain connection with each other. In some dances the connection is loose and called dance ...
Copper engraving of the "Great Galop" of Johann Strauss (1839). Galop rhythm. [1]In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London.
Tap was formed from other types of dancing, such as ballet, jazz and contemporary clogging. Hoofers are tap dancers who dance only with their feet, making a louder, more grounded sound. This kind of tap dancing is also called "rhythm tap". Another aspect of tap dancing is improvisation.
This project took Bartenieff into cross-cultural studies of movement, expressed in work and dance activities. An educational film entitled “Dance and Human History” (1976) [10] demonstrates the concepts of the Choreometrics team. [11] This project was the first to adapt Laban-based movement analysis to observation of cultural/geographic ...
A basic figure is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different handhold [broken anchor] s and dance positions [broken anchor] to enjoy it socially.
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
Title page of Franz Rigler's "Three Rondos" (1790) First page of the manuscript for Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello. The rondo is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or ...