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It was the first drum machine to use samples of acoustic drums, and one of the first programmable drum machines. Its designer, the American engineer Roger Linn , wanted a machine that would produce more realistic drum sounds and offer more than preset patterns.
The 808 sounded simplistic and synthetic by comparison; electronic music had yet to become mainstream and many musicians and producers wanted realistic-sounding drum machines. [7] [10] According to many reports, one review dismissed the 808 as sounding like "marching anteaters", though this likely referred to machines that predated it. [16]
Oberheim DX Oberheim "Stretch" DX. Introduced in 1983, the Oberheim DX was a slightly stripped-down version of the DMX, available at a list price of US$1,395. The look and feel of the machine was similar to that of the DMX, but it only featured 18 sounds instead of 24; allowed for 6-sound polyphony instead of 8; had a 4-digit, 7-segment display instead of a 16-character alphanumeric display ...
The Linn 9000 was Roger Linn's first attempt to create an integrated sampling/sequencing/MIDI workstation, but it was plagued with problems from the beginning. [5] [6] On early models, the power supply over-heated the CPU and had to be replaced under warranty, but insurmountable issues with the Linn 9000's operating system forced its eventual demise.
The TR-909 succeeded the previous Roland drum machine, the TR-808. [1] It was designed by Tadao Kikumoto, who also designed the Roland TB-303 synthesizer. [2] The chief Roland engineer, Makoto Muroi, credited the software design to Atsushi Hoshiai and the analog and pulse-code modulation voice circuits to "Mr Ou".
As with most previous Roland drum machines, the bass and snare voices are generated by a "damped tuned resonance" oscillators. The cymbals and hi-hats are created by VCA-shaping and band-pass filtering a combination of white noise and four non-harmonically related square wave oscillators (generating a much more realistic sound than white noise ...
Korg M1: PCM sample based dual oscillator synth engine, with built-in effects, sequencer and drum machine, the M1 introduced many to the concept of a music workstation, a keyboard that could handle live performance, MIDI, sequencing, expandable sound banks, effects, and more in a single package. The best-selling synthesizer of all time (with ...
The R-8 Human Rhythm Composer is an electronic drum machine introduced in 1989 by Roland Corporation, using PCM voices. The R-8 features velocity- and pressure-sensitive trigger pads, and the ability to create loops of beats. The device has eight individual outputs, 32-voice polyphony, and four-part multitimbral MIDI.
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