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In common parlance "psychedelic art" refers above all to the art movement of the late 1960s counterculture and early 1970s counterculture. Featuring highly distorted or surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance psychedelic experiences .
The fashion for psychedelic drugs gave its name to the style of psychedelia, a term describing a category of rock music known as psychedelic rock, as well as visual art, fashion, and culture that is associated originally with the high 1960s, hippies, and the Haight-Ashbury neighborhood of San Francisco, California. [42]
The psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
Whether it's through soul-healing creative workshops or live music, there's more to explore when it comes to the arts in the Hudson Valley.
Psychedelic art and music typically try to recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted and surreal visuals, bright colors and full spectrums and animation (including cartoons ) to evoke and convey to a viewer or listener the artist's experience while using such drugs, or to enhance the ...
Peter Max (born Peter Max Finkelstein, October 19, 1937) is an American artist known for using bright colors in his work.Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art.
Robert Wesley Wilson (July 15, 1937 – January 24, 2020) was an American artist and one of the leading designers of psychedelic posters. [1] Best known for designing posters for Bill Graham of The Fillmore in San Francisco, he invented a style that is now synonymous with the peace movement, the psychedelic era and the 1960s.
Michael English had studied art under Roy Ascott at Ealing Art College in West London between 1963 and 1966. [6] [8] [9] [10] He took part in Ascott's revolutionary Groundcourse, the first year of which focused on changing preconceptions and involved exercises such as students being subjected to continuous pulses of light and darkness in the lecture theatre before being asked to walk over a ...