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It is pushed along the plate to produce thin furrowed lines, leaving "burr" or strips of waste metal to the side. This is followed by the use of a scraper to remove any burs, since they would be an impediment during the subsequent inking process. Steel plates are very hard for this technique, which is normally used on softer copper plates. So ...
Etching by goldsmiths and other metal-workers in order to decorate metal items such as guns, armour, cups and plates has been known in Europe since the Middle Ages at least, and may go back to antiquity. The elaborate decoration of armour, in Germany at least, was an art probably imported from Italy around the end of the 15th century—little ...
A permanent marker can also be removed by drawing over it with a dry erase marker on non-porous surfaces such as a whiteboard, [3] as dry erase markers also contain a non-polar solvent. Most dry-erase board cleaner solutions also contain effective organic solvents like 2-butoxyethanol to remove the pigment.
Watercolour paint used in photographic hand-colouring consists of four ingredients: pigments (natural or synthetic), a binder (traditionally arabic gum), additives to improve plasticity (such as glycerine), and a solvent to dilute the paint (i.e. water) that evaporates when the paint dries. The paint is typically applied to prints using a soft ...
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In the Western tradition, the surface of the block is then inked with the use of a brayer; however in the Japanese tradition, woodblocks were inked with a brush. [4] Then a sheet of paper, perhaps slightly damp, is placed over the block. The block is then rubbed with a baren or spoon, or is run through a printing press.
The term remains current in the art trade, and there is no easy alternative in English to distinguish the works of "fine art" produced in printmaking from the vast range of decorative, utilitarian and popular prints that grew rapidly alongside the artistic print from the 15th century onwards. Fifteenth-century prints are sufficiently rare that ...
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