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Good Kid, M.A.A.D City (stylized as good kid, m.A.A.d city) is the second studio album by the American rapper Kendrick Lamar.It was released on October 22, 2012, by Interscope Records, Top Dawg Entertainment and Dr. Dre's Aftermath Entertainment.
The American online music publication Pitchfork has awarded a perfect score of 10 to more than 50 albums. Most of the scores were given in retrospective reviews of classic albums or reissues . [ 1 ] Artists who have received perfect scores on release include Radiohead , Fiona Apple , Kanye West , Bonnie "Prince" Billy , And You Will Know Us by ...
Pitchfork: The 200 Most Important Artists of Pitchfork’s First 25 Years (under "The Icons") 2021 Placed [151] Rolling Stone: 500 Greatest Albums of All Time: 2020 19th (To Pimp a Butterfly) 115th (Good Kid, M.A.A.D City) 175th (Damn) [152] 100 Greatest Music Videos of All Time 2021 73rd ("Humble") [153] 200 Greatest Hip Hop Albums of All Time ...
The record topped 51 lists, including those by Rolling Stone, Billboard, Pitchfork, Slant Magazine, Spin, The Guardian, Complex, Consequence, The Irish Times, and Vice. [106] NME ranked it second on their list, while Time named it the year's third best album. [ 107 ]
Born Sinner is the second studio album by American rapper and record producer J. Cole.It was released on June 18, 2013, by ByStorm Entertainment, Columbia Records, Dreamville Records and Roc Nation.
Kick III (stylized as KicK iii) is the sixth studio album by Venezuelan record producer and singer Arca.The album was scheduled to be released on 3 December 2021, but released early on 1 December 2021, through XL Recordings as a continuation to her 2020 record Kick I, and is the third entry in the Kick quintet.
"All My Friends" was named the #1 song of 2007 by Pitchfork. [4] In 2009, Pitchfork listed the song at #2 of their Top 500 Tracks of the 2000s. [5] It was selected by Guardian Unlimited readers as the best single of 2007. [6] Time magazine named "All My Friends" one of The 10 Best Songs of 2007, ranking it at #4. [7]
Pitchfork's Mark Richardson wrote that "despite the familiarity and easily parodied context of the source material, [the album] works; it does what it was designed to do, probably due to the fact that recording and record-making were at their technological zenith in the late 70s and early 80s." [2]