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Like compression, expansion comes in two types, downward and upward. Downward expansion makes the quiet sounds below the threshold even quieter. A noise gate can be thought of as an extreme form of downward expansion as the noise gate make the quiet sounds (for instance: noise) quieter or even silent, depending on the floor setting. [2]
Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing. Parallel compression, a form of upward compression , is achieved by mixing an unprocessed 'dry', or lightly compressed signal with a heavily compressed version of the same signal.
Side-chain pumping is a more advanced technique using a compressor's side-chain feature which, "uses the amplitude envelope (dynamics profile) of one track as a trigger for a compressor used in another track." When the amplitude of a note of the side-chained instrument surpasses the threshold setting of the compressor it attenuates the ...
The LA-2A is a hand-wired, tube-based compressor. It uses an electroluminescent panel together with a cadmium-sulfide light-dependent resistor (which in the LA-2A's own terminology is called the T4 cell) to provide gain reduction.
Gated reverb on a snare drum, produced by a plugin. Gated reverb or gated ambience is an audio processing technique that combines strong reverb and a noise gate that cuts the tail of the reverb. The effect is typically applied to recordings of drums (or live sound reinforcement of drums in a PA system ) to make the hits sound powerful and ...
A monitor engineer and console at an outdoor event. Live sound mixing is the blending of multiple sound sources by an audio engineer using a mixing console or software. Sounds that are mixed include those from instruments and voices which are picked up by microphones (for drum kit, lead vocals and acoustic instruments like piano or saxophone and pickups for instruments such as electric bass ...
Drum tuning is the process of adjusting the frequency or pitch of a drum. Although most drums are unpitched instruments, they still have a fundamental pitch and overtones . Drums require tuning for a variety of reasons: to sound good together as a kit, to sound pleasing as an individual drum, to achieve the desired amount of ringing and ...
Dynamic range compression - Compression reduces the range between a signal's lowest low and highest high. The threshold controls how much of the top is cut off. By adjusting attack and release settings, and having the right ratio, one can give a track more presence, but too much compression will destroy an otherwise pleasing track.