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The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1917. In the last movement the orchestra is joined by a wordless female chorus. Each movement of the suite is named after a planet of the Solar System and its supposed astrological character.
This is a discography of commercial recordings of The Planets, Op. 32, an orchestral suite by Gustav Holst, composed between 1914 and 1916, and first performed by the Queen's Hall Orchestra conducted by Adrian Boult on 29 September 1918. It includes the composer's own recordings made in 1922–1923 and 1926.
Mayer Hawthorne – How Do You Do (Limited Edition Box Set) (Mayer Hawthorne) Ross Stirling – The Road to Red Rocks (Special Edition) (Mumford & Sons) Masaki Koike – The Smith Tapes (Various Artists) [20] 2015: Susan Archie, Dean Blackwood & Jack White: The Rise & Fall of Paramount Records, Volume One (1917-27) Various Artists
Geronimo's Cadillac, which eventually gave way to Manfred Mann's Plains Music, also includes a jazz piano solo. We're Going Wrong is a cover of the Cream song. Telegram to Monica was Denny Newman's third song written for the Earth Band (after Lies (Through the 80s) and Killer on the Loose ) but the only one sung by him.
Two planets are notably not included in The Planets: Earth and Pluto. Holst had not wanted to include the Earth in his suite because the suite was based on astrology, and Earth has no astrological significance. [57] Pluto was discovered in 1930, four years before Holst's death, and was hailed by astronomers as the ninth planet.
The Manse in Thaxted, where Gustav Holst lived from 1917 to 1925 "Thaxted" is a hymn tune by the English composer Gustav Holst, based on the stately theme from the middle section of the Jupiter movement of his orchestral suite The Planets and named after Thaxted, the English village where he lived much of his life.
Exceeding box office expectations, making more than $61 million on a $12 million budget, “Crossroads” went on to become somewhat of a cult favorite, particularly among Spears’ worldwide fans.
Gavotte from J.S. Bach's French Suite No. 5. A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a prelude.