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In 1889, Strauss became acquainted with Eugen d'Albert, who liked the work, although he suggested some cuts and changes to the piano part. [3] Strauss rededicated the revised work to d'Albert, who premiered it under its new title Burleske, at a convention of the General German Music Association [2] at Eisenach on 21 June 1890, in the same concert as the premiere of Strauss's Death and ...
Piano Quintet in D minor (Bomtempo) Piano Quintet No. 1 (Fauré) Piano Sonata No. 1 (Rachmaninoff) Piano Sonata No. 2 (Prokofiev) Piano Sonata No. 17 (Beethoven) Piano Trio (Fanny Mendelssohn) Piano Trio (Fauré) Piano Trio No. 1 (Arensky) Piano Trio No. 1 (Mendelssohn) Piano Trio No. 1 (Schumann) Poème élégiaque; Polonaises, Op. 71 (Chopin)
Furthermore, his String Quartet No. 13, K. 173, and String Quartet No. 15, K. 421, are also in D minor. The only chamber music compositions in D minor by Ludwig van Beethoven are his stormy Piano Sonata No. 17 and the haunting Largo of the Ghost Trio Op. 70/1. Franz Schubert's String Quartet No. 14 (Death and the Maiden) is in D minor.
Scherzo in D minor is Sergei Rachmaninoff's earliest surviving composition for orchestra, composed when he was a student at the Moscow Conservatory. [1] It takes between four and five minutes to play. The manuscript is dated 5-21 February 1888, when Rachmaninoff was still only 14. An unknown hand has changed this date to 1887. [2]
The Études-Tableaux ("study paintings"), Op. 39, is the second of two sets of piano études composed by Sergei Rachmaninoff. Op. 39 was composed sometime between 1916 and 1917 [ 1 ] and were among the final works composed by Rachmaninoff before his exit from Russia .
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
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