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The Inquisition Tribunal, also known as The Court of the Inquisition or The Inquisition Scene (Spanish: Escena de Inquisición), is a 46-by-73-centimetre (18 by 29 in) oil-on-panel painting produced by the Spanish artist Francisco Goya between 1812 and 1819. [1]
Francisco de Goya was born in Fuendetodos, Aragón, Spain, on 30 March 1746 to José Benito de Goya y Franque and Gracia de Lucientes y Salvador. The family had moved that year from the city of Zaragoza , but there is no record of why; likely, José was commissioned to work there. [ 4 ]
Goya's early career as a painter in the court of Charles III is marked by portraits of the Spanish aristocracy and tapestry cartoons in a Rococo style. Continuing to produce official portraits and paintings for the courts of Charles IV and Ferdinand VII , Goya's middle period is also notable for print series that satirize the human condition ...
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
The Third of May 1808 in Madrid (commonly known as The Third of May 1808) [1] and also known, in Spanish, as El tres de mayo de 1808 en Madrid or Los fusilamientos de la montaña del Príncipe Pío, [2] or Los fusilamientos del tres de mayo, is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid.
Prison Interior (Spanish: Interior de cárcel) is an oil-on-canvas painting completed by the Spanish artist Francisco Goya (1746–1828) between 1793 and 1794. The painting is bathed in a dim, cold light which gives it an appearance of purgatory.
Yard with Lunatics (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by the Spanish artist Francisco Goya between 1793 and 1794. Goya said that the painting was informed by scenes of institutions he had witnessed as a youth in Zaragoza.
Altamira was one of the six dignitaries of the newly formed Banco de San Carlos painted by Goya between 1785 and 1788. In 1786, after painting several portraits of the court, Goya was nominated painter to Charles III, [4] and continued from 1789 as court painter of his successor Charles IV. Altamira hired Goya to paint several family portraits.
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