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Potiphar's wife is a figure in the Hebrew Bible and the Quran. She was the wife of Potiphar , the captain of Pharaoh's guard in the time of Jacob and his twelve sons . According to the Book of Genesis , she falsely accused Joseph of attempted rape after he rejected her sexual advances, resulting in his imprisonment.
In Joseph and his Brothers, Thomas Mann suggests that Potiphar's wife is sexually frustrated partly because Potiphar is a eunuch. In Margaret Atwood's The Testaments, the sequel to The Handmaid's Tale, Potiphar's wife is referred to in Chapter 46 of the Ardua Hall Holograph storyline as narrated by Aunt Lydia. She mentions that Dr. Grove ...
In the Book of Jubilees, generally considered to be apocryphal, Asenath is said to be given to Joseph to marry by the Pharaoh, [14] a daughter of Potiphar, a high priest of Heliopolis, with no clarification as to whether or not this Potiphar is the same Potiphar whose wife falsely accused Joseph of attempting to rape her.
The narrative contains a large expansion on the attempts of Potiphar's wife to seduce Joseph, portraying her as first threatening Joseph, then employing torture, then flattering Joseph, then plotting to kill her husband so that Joseph would be able to marry her without bigamy, then using love potions, and finally threatening suicide.
Joseph and Potiphar's Wife is the only securely attributed work in marble completed by Properzia de' Rossi, the only woman artist in the Italian Renaissance mentioned in the first edition of Giorgio Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects.
Joseph and Potiphar's Wife is a 1634 etching by Rembrandt (Bartsch 39). It depicts a story from the Bible , wherein Potiphar's Wife attempts to seduce Joseph . It is signed and dated "Rembrandt f. 1634" (f. for fecit or "made this"), and exists in two states .
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