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Another example of a bistable figure Rubin included in his Danish-language, two-volume book was the Maltese cross. A 3D model of a Rubin vase Rubin presented in his doctoral thesis (1915) a detailed description of the visual figure-ground relationship, an outgrowth of the visual perception and memory work in the laboratory of his mentor, Georg ...
Figure–ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology it is known as identifying a figure from the background. For example, black words on a printed paper are seen as the "figure", and the white sheet as the "background". [1]
One of the earliest examples of this type is the rabbit–duck illusion, first published in Fliegende Blätter, a German humor magazine. [1] Other classic examples are the Rubin vase , [ 2 ] and the " My Wife and My Mother-in-Law " drawing, the latter dating from a German postcard of 1888.
Rubin's vase is an optical illusion in which the negative space around the vase forms the silhouettes of two faces in profile, a well-known example of figure-ground reversal by emphasizing that negative space. FedEx's logo displays an arrow between letters E and x. Not being in full silhouette, the effect is subtle and may not be noticed.
Art historians say Leonardo da Vinci hid an optical illusion in the Mona Lisa's face: she doesn't always appear to be smiling. There's question as to whether it was intentional, but new research ...
Figure-ground (perception) Filling-in: Flash lag illusion: Forced perspective: Application used in film and architecture to create the illusion of larger, more distant objects. Fraser spiral illusion: The Fraser spiral illusion, or false spiral, or the twisted cord illusion, was first described by the British psychologist Sir James Fraser in ...
Blivet illusion, another impossible figure based on figure-ground confusion. The image is widely reproduced and discussed. Brad Honeycutt, author of Exceptional Eye Tricks, calls the Shepard elephant "one of the most famous and classic optical illusions."
Op art is a perceptual experience related to how vision functions. It is a dynamic visual art that stems from a discordant figure-ground relationship that puts the two planes—foreground and background—in a tense and contradictory juxtaposition. Artists create op art in two primary ways.