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Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is an extremely important tool when attempting to intrigue a viewer.
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. [1]
The advantage of non-linear editing is the ability to edit scenes out of order, thereby making creative changes at will. This flexibility facilitates carefully shaping the film in a thoughtful, meaningful way for emotional effect. Once the production team is satisfied with the picture editing, the editing is said to be locked.
Running the gamut of comedy, drama, sci-fi and action — this year's Academy Award nominees for best editing are: "The Banshees of Inisherin," "Elvis," "Everything Everywhere All At Once," "Tár ...
Veteran French editor Dominique Auvray says there’s an essential intuitive element to her work. The woman who created the sound for “Paris, Texas” and cut such films as “No Fear, No Die ...
Editing film is a way to receive a specific reaction from the audience. By making certain cuts, an editor has the ability to manipulate the audience to have a certain reaction. The quick cutting characteristic of MTV, post-classical style of editing encourages a different reaction and emotional response from the audience than classical editing. [1]
Formalism considers the synthesis of the multiple elements of film production, and the effects, emotional and intellectual, of that synthesis and of the individual elements. For example, a formalist views standard Hollywood "continuity editing" for how it creates a comforting effect and non-continuity or how jump cut editing becomes disconcerting.
The documentary features interviews with 30 contemporary film editors as well as 17 other individuals, including directors, actors, and producers. [2] Throughout these interviews, many personal stories between the directors and editors are mentioned, such as Steven Spielberg and the late Verna Fields, Quentin Tarantino and Sally Menke, Martin Scorsese and Thelma Schoonmaker, and Alexander ...
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