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The designs used in Kasuti reflect traditional patterns like palanquins, elephants and lotuses which are embroidered onto Ilkal saris. These saris are usually 9 yards in length and the pallu of the Ilkal sari (the part worn over the shoulder) carries designs of temple towers. [2] This pallu is usually made of red silk with white patterns. [3]
Saris are distinguished by their wide contrast borders. Temple borders, checks, stripes and floral (buttas) are traditional designs found on a Kanchipuram saris. [8] The patterns and designs in the kanchipuram saris were inspired with images and scriptures in South Indian temples or natural features like leaves, birds and animals. [10]
A standard sari is 6.5 metres long and includes the blouse piece. A very ornate sari can take one month to make and is an heirloom piece to be treasured. A genuine Kota Doria sari will contain the GI mark woven in one corner indicating that it has been hand woven using real silver and gold thread.
The body of the fabric (saree) may be plain or decorated with booties using additional warp/weft with or without Jacquard. In this Tangail saree (Jamdani variety), extra weft threads are inserted to create an extra-weft design, maintaining a ratio of 1:2 between extra weft and ground weft. The specialty of the design is that the edges of the ...
An intricate weave of Pasapali Sari Pasapali motif, made by the technique of knotting by Designer Mr. Binoy Munda & Mr. Vikram Kumar. Pasapali sari also known as Saktapar is a Bandha handloom sari weaved mainly in the Bargarh district of Odisha, India. The name Pasapali is derived from pasā or gambling games using Chess board.
Generally, in modern Bollywood fashion, the pallu is fully wrapped around the waist rather than on the shoulder and to cover the blouse or choli folded chunri of contrast color is pinned up. Also, the hairstyle on is step-cut up to shoulder length with smart nose ring or Nath and Chandrakor Bindi.
A variety of weaving techniques were employed in ancient India, many of which survive to the present day. Silk and cotton were woven into various designs and motifs, each region developing its distinct style and technique. Famous among these weaving styles were the Jamdani, Kasika vastra of Varanasi, butidar, and the Ilkal saree.
Various types of embroidery patterns are used for a lehenga-style sari. Bagh, chikan, kashida, kasuti, kantha, sozni, shisha, and zardozi are some of the commonly practiced types of embroidery in the lehenga-style sari. Bagh is a special kind of embroidery done by women in Punjab to be worn during festivals and weddings.
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