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Chris Stapleton stated via iHeart Country: "White Horse" was a song that I wrote with my friend, Dan Wilson. We were out in Los Angeles, it was about I think probably late 2012, early 2013, and there was a movie called The Lone Ranger that was coming out, and I walked in the room to write with Dan at his house, and he said, "Hey they're looking for songs for this Lone Ranger movie."
Bruno Mars played all instruments on the track except bass guitar. [81] The song was written in a basement in Nashville. [82] Over the course of 2019 and 2020, Stapleton recorded and wrote songs with Mike Campbell, formerly the guitarist of Tom Petty and the Heartbreakers.
"You Should Probably Leave" is a song recorded by American singer-songwriter Chris Stapleton, it was released on May 17, 2021, as the third single from his fourth studio album Starting Over. The song was co-written by Ashley Gorley , Chris DuBois and Stapleton, who also produced the track with Dave Cobb .
Chris Stapleton. The 2023 CMA Awards brought the star power, but it was Chris Stapleton alone that left viewers starstruck.. The country crooner performed his hit song, "White Horse," during the ...
The album was recorded at RCA Studio A in Nashville, Tennessee, and additionally features producer Dave Cobb on acoustic and electric guitar and Stapleton's wife Morgane on backing vocals, synthesizer and tambourine, along with contributions from members of his touring band J.T. Cure and Derek Mixon, as well as Paul Franklin, and Lee Pardini. [3]
During her second Eras Tourshow at the Hard Rock Stadium in Miami on Saturday, Oct. 19, Swift, 34, sang a particular lyric from her 2008 song “White Horse” in a new surprise songs mashup ...
The album is an old-school country record mixed with Southern rock.Tracks on the album features electric guitar, mandolin, and acoustic guitar. "The Devil Named Music" exclaims the hard life on the road, while "Might As Well Get Stoned" features resignation lyrics. [9]
"Starting Over" carries a "raw, stripped down and vulnerable" theme, [3] with Stapleton singing of looking for new horizons, in "perpetual motion". [2] The love song fuses acoustic guitar chords and a percussive shake, [5] while drummer Derek Mixon delivers a "brushed" snare rhythm, which Rolling Stone ' s Joseph Hudak said evokes Willie Nelson's version of "City of New Orleans".
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