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Homer and Jethro were the stage names of American country music duo Henry D. "Homer" Haynes (1920–1971) and Kenneth C. "Jethro" Burns (1920–1989), popular from the 1940s through the 1960s on radio and television for their satirical versions of popular songs. [1]
Jethro and Moses (watercolor circa 1900 by James Tissot) Jethro is called a priest of Midian and became father-in-law of Moses after he gave his daughter, Zipporah, in marriage to Moses. He is introduced in Exodus 2:18. Jethro is recorded as living in Midian, a territory stretching along the eastern edge of the Gulf of Aqaba, northwestern Arabia.
In the New Testament, as well as in the Old, they "consistently use Hebraic forms of God's name". [216] [217] An example is the Holy Name Bible by Angelo B. Traina, whose publishing company, The Scripture Research Association, released the New Testament portion in 1950. On the grounds that the New Testament was originally written not in Greek ...
The two formed a duo and WNOX program director Lowell Blanchard gave them the stage names Homer and Jethro after forgetting their names on the air. Burns was drafted into the US Army and served in Europe during World War II and reunited with Haynes, who had served in the Pacific, in Knoxville in 1945.
Poseidon, god of the sea and earthquake, brother of Zeus. Curses Odysseus. Scamander, river god who fought on the side of the Trojans during the Trojan War; Thetis, a sea nymph or goddess. Mother of Achilles, wife of Peleus. Zeus, king of the gods, brother of Poseidon and Hera and father of Athena, Aphrodite, Ares, and Apollo. [1] [2] [3]
It should only contain pages that are Homer and Jethro songs or lists of Homer and Jethro songs, as well as subcategories containing those things (themselves set categories). Topics about Homer and Jethro songs in general should be placed in relevant topic categories .
A diagram of the names of God in Athanasius Kircher's Oedipus Aegyptiacus (1652–1654). The style and form are typical of the mystical tradition, as early theologians began to fuse emerging pre-Enlightenment concepts of classification and organization with religion and alchemy, to shape an artful and perhaps more conceptual view of God.
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