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William Roger Dean (born 31 August 1944) is an English artist, designer, and publisher. He began painting posters and album covers for musicians in the late 1960s. The groups for whom he did the most art are the English rock bands Yes and Asia.
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It was put together several months after the release of the band's 1969 eponymous debut, during which they continued to tour heavily and recorded Time and a Word between shows. Yes continued to follow their early musical direction of performing original material and cover versions of songs by pop, jazz, and folk artists. A small orchestra of ...
Yesterdays is the first compilation album by the English progressive rock band Yes, released in February 1975 on Atlantic Records.It consists of material previously recorded for the band's first two studio albums, Yes (1969) and Time and a Word (1970), "Dear Father" their 1970 B-side of the single "Sweet Dreams", and the full version of their cover of "America" by Simon & Garfunkel.
The album's title was inspired by the Indica Gallery in London that housed an art exhibition in 1966 where John Lennon first met Yoko Ono, who had constructed her Ceiling Painting (or the Yes Painting) which required people to climb a ladder and look through a magnifying glass suspended from the ceiling, which allowed them to see the word "YES ...
Yesshows is the second live album by the English progressive rock band Yes. It was released in November 1980 on Atlantic Records as the final album before the group disbanded in early 1981. Their first live album in seven years, it is compiled of recordings from their 1976, 1977, and 1978 tours from dates in North America and Europe with its ...
Yes is the debut studio album by English rock band Yes, first released in the UK on 25 July 1969 [2] and later in the US on 15 October 1969 by Atlantic Records. [3] [4] After forming in the summer of 1968, the band toured extensively across the United Kingdom with sets comprising both original material and rearranged cover versions.
Closing Time ' s art was designed by Cal Schenkel. Schenkel's front cover art was inspired by "Waits' own idea of how the album should sound." It depicts Waits leaning against a bar-room piano which is furnished with a shot of rye, a bottle of beer, cigarettes, an ashtray and a small candle with a blue pool table lamp above Waits' head. [21]