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Audio files of bird calls are useful for identification and this is a fairly long recording of the song. Common species in North America, but exotic to the rest of the world. Recorded Sandbanks Provincial Park, Ontario, Canada -- 2007 May by Mdf. Nominate and support. - Durova Charge! 08:14, 5 August 2008 (UTC)
"Riot in Cell Block #9" is a R&B song composed by Jerry Leiber and Mike Stoller in 1954. The song was first recorded by The Robins the same year. [1] That recording was one of the first R&B hits to use sound effects and employed a Muddy Waters stop-time riff as the instrumental backing.
The white-browed robin-chat is 19–20 cm (7.5–7.9 in) long and weighs 29–51 g (1.0–1.8 oz). [4] The crown and face are black, and there is a white supercilium over the dark brown eye. [4] [6] The back is olive grey-brown, and the rump is rufous. The two central tail feathers are olive-brown, and the other feathers are orange-rufous.
The Robins were a successful and influential American R&B group of the late 1940s and 1950s, one of the earliest such vocal groups who established the basic pattern for the doo-wop sound. [2] They were founded by Ty Terrell, and twin brothers Billy Richards and Roy Richards. Bobby Nunn soon joined the lineup.
Robins confirmed on his Radio 5 Live show in December 2021 that the couple had split. [47] Robins is a keen golfer and posts regularly on YouTube under the Bad Golf channel. He is also an experienced board game player, and once finished 11th in the British national Catan championships. [48] Robins has been sober since November 2022. [49]
Uncanny is a BBC Radio series created by Danny Robins featuring explorations of the paranormal and supernatural phenomena, first broadcast in 2021. The series is broadcast on BBC Radio 4 and as a podcast on BBC Sounds. [1] A television version for BBC Two was first broadcast on 13 October 2023. [2] [3]
The sight of his own blood makes Robin "[rave] like a wild Boar" (3.16). The two men fight so energetically that they are like "two wild Boars in a chase" and "all the wood [rings] at every bang" (3.23, 29). After two hours, Robin calls a stop to the fighting and promises that Arthur is free to roam Sherwood Forest from now on.
The New Yorker described "Cobrastyle" as a "fast, chattering electronic track that runs at a punk tempo, except for the moments when it drops in fragments of dancehall rhythms", feeling that Robyn's lyrical delivery was "a mash of language from everywhere and nowhere, and sound decidedly un-Swedish". [13]