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Jan Luiken made the engravings for the popular "sailor's bible" called "Lusthof des Gemoeds", by Jan Philipsz Schabaalje, 1714 Jan Luyken's print of the peat boat used as a ruse by the Dutch to gain possession of Breda from the Spanish in 1590. He was born and died in Amsterdam, where he learned engraving from his father Kaspar Luyken. [1]
Het Menselyk Bedryf ("The Book of Trades") is an emblem book of 100 engravings by Jan Luyken and his son Caspar published in 1694, illustrating various trades in Amsterdam during the Dutch Golden Age. The majority of the trades shown are from the textile industry (12), followed by marine pursuits (8).
Grabado de Jan Luyken para la segunda edición de El Espejo de los Mártires, 1685. Anneken era un ama de casa de Frisia, anabautista desde 1552. En octubre de 1551 fue identificaba en Amsterdam y condenada a muerte. Se ordenó al verdugo llenarle la boca de pólvora, atarla a una escalera y lanzarla a un lecho de carbones ardientes.
Caspar Luyken (18 December 1672 – 4 October 1708) was a Dutch illustrator and engraver. He was the son of Jan Luyken with whom he collaborated extensively. [1]Luyken worked mostly in Amsterdam, and produced Het Menselyk Bedryf ("The Book of Trades") with his father in 1694.
The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]
The first volume appeared in 1718, and was followed by the second volume in 1719, the year Houbraken died. The third and last volume was published posthumously by Houbraken's wife and children in 1721. This work is considered to be a very important source of information on 17th-century artists of the Netherlands.
17th-century painters from the Holy Roman Empire (5 C, 9 P) I. 17th-century Indian painters (12 P) ... This page was last edited on 2 January 2021, at 23:31 (UTC).
Jupiter and Io by Correggio, one of the few paintings to leave the Orleans Collection before the French Revolution.(Kunsthistorisches Museum, Vienna)The Orleans Collection was a very important collection of over 500 paintings formed by Philippe II, Duke of Orléans, mostly acquired between about 1700 and his death in 1723. [1]