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The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
The best-known part of Lloyd Webber's Requiem, the "Pie Jesu" segment, combines the traditional Pie Jesu text with that of the Agnus Dei from later in the standard Requiem Mass. It was originally performed by Sarah Brightman , who premiered the selection in 1985 in a duet with boy soprano Paul Miles-Kingston ; a music video of their duet was ...
Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of "Out of the deep" and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central ...
In 1887–88, Fauré composed the first version of the work, which he called "un petit Requiem " [4] with five movements (Introit and Kyrie, Sanctus, Pie Jesu, Agnus Dei and In Paradisum), but did not include his Libera me. This version was first performed on 16 January 1888 for the funeral of Joseph Lesoufaché, an architect, at La Madeleine ...
Download as PDF; Printable version; In other projects ... Pie Jesu is a piece by Jocelyn ... Then the line goes to segue into "Dona eis requiem" whereas Pappenheim ...
Duruflé scored the work for a solo voice in the central movement, Pie Jesu, and a mixed choir, accompanied by organ or orchestra. The composer dedicated the Requiem to the memory of his father. [4] The Requiem was published in 1948 by the French publishing house Durand, first issued in a version for SATB choir and organ. [5]
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Brightman and then-husband Andrew Lloyd Webber at the world premiere performance of Requiem at Saint Thomas Church in New York City. In 1985, Brightman's recording of "Pie Jesu" was a strong commercial success, selling 25,000 copies [26] on the first day of release and peaking at number 3, despite the lyrics being in Latin. With classical music ...