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Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
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4. “The Boy Is Mine” by Brandy and Monica. Notable lyrics: "When will you get the picture.You're the past, I'm the future. Get away, it's my time to shine. If you didn't know, the boy is mine."
In the semi-final, each choral group submitted a recording of 10–20 minutes, consisting of at least three contrasting pieces of music, at least two pieces must be sung a cappella. The recording must include pieces of music from at least two different stylistic periods or musical genres/styles and must be performed in one take and cannot be ...
Songs for Beginners is the debut solo studio album by English singer-songwriter Graham Nash.Released in May 1971, it was one of four high-profile albums (all charting within the top fifteen) released by each member of Crosby, Stills, Nash & Young in the wake of their chart-topping Déjà Vu album of 1970, along with After the Gold Rush (Neil Young, September 1970), Stephen Stills (Stephen ...
The Invictus Choir was put together by choirmaster Gareth Malone, originally a group of 12 wounded ex-armed service personnel, to perform at the 2016 Invictus Games. [1] Malone had previously been responsible for forming the Military Wives choir, as well as The Choir , a series where he inspired a group of teenagers with no singing experience ...
On Christ's Nativity for choir SATB (1954) St. John Passion for tenor, bass, chorus and organ (1962) Magnificat and Nunc Dimittis (St. John's service) for choir SATB and organ (1962) O most merciful Redeemer for choir SATB (1965) Sacred Songs for Treble Voices (1st set) for boys' choir and organ (1965) The Beatitudes for 4-part treble voices (1966)
Works are listed in chronological order. Works with an asterisk (*) indicate that text is used throughout the entire composition. Fantasy in C minor for Piano, Soloists and Orchestra, Op. 80, by Ludwig van Beethoven (1808) (not a symphony, but one of only two major concerted works to involve a chorus - see also Busoni (below))
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