Search results
Results from the WOW.Com Content Network
Tibet in Song is a 2009 documentary film written, produced, and directed by Ngawang Choephel. The film celebrates traditional Tibetan folk music while depicting the past fifty years of Chinese rule in Tibet , including Ngawang's experience as a political prisoner.
Kundun is a 1997 American epic biographical film written by Melissa Mathison and directed by Martin Scorsese.It is based on the life and writings of Tenzin Gyatso, the 14th Dalai Lama, the exiled political and spiritual leader of Tibet.
Tibet in Song [20] 2009 Documentary Ngawang Choephel Tibet: Beyond Fear [21] 2008 Documentary Michael Perlman Tibet: Murder in the Snow [22] 2008 Documentary Sally Ingleton Tibet: Cry of the Snow Lion [23] 2003 Documentary Maria Florio, Victoria Mudd, Sue Peosay, Tom Peosay Tibet: A Buddhist Trilogy [24] 1984 Documentary Graham Coleman
Seven Years in Tibet is a 1997 American biographical war drama film directed by Jean-Jacques Annaud.It is based on Austrian mountaineer and Schutzstaffel (SS) sergeant Heinrich Harrer's 1952 memoir of the same name, about his experiences in Tibet between 1944 and 1951.
Thompson’s first major creative success was the anti-war play L.A. Book of the Dead which was first performed at the Ensemble Studio Theatre, Los Angeles, in 1982 (director Renee Tadlock). [5] L.A. Book of the Dead was revived in 1987 by the Rough Theater Company, and continued to be performed as a reader’s theater piece throughout the 1990s.
Red River Valley (Chinese: 红河谷; pinyin: Hóng hégǔ) is a 1997 film directed by Feng Xiaoning about the British expedition to Tibet, starring Paul Kersey and Ning Jing. It was also released under the title A Tale of the Sacred Mountain. A book by Peter Fleming, Ian Fleming's brother, is credited in the movie. [1]
Long-time Tibet supporter, Richard Gere, was also one of the film’s Executive Producers. [citation needed] Andy Spence, the music composer, is a founder-member of the British pop group, New Young Pony Club. [citation needed] The film was the first Super 16 to 35mm blow-up going the Digital Intermediate route in India.
The New York Times review stated, "impeccably made, often moving account of the captive nation of Tibet, forcibly annexed by China more than 50 years ago. (...) in fact, the monasteries were systematically destroyed by Chinese military forces in the late 1950s and early 60s. (...) A more concise and affecting summation of the Tibetan crisis ...